Friday, 5 May 2017

Book Review - Stringing and Linking Jewelry Workshop by Sian Hamilton

Stringing and Linking Jewelry Workshop
by Sian Hamilton
Published by GMC Publications 2015
144 pages

book-review-jewellery-stringing-linking-jewelry-workshop-sian-hamilton-silvermossA lot of my older jewellery books are the work of one jeweller in particular, with the vast majority (if not all) the projects included designed by the author, and perhaps a few other jewellers being referenced in a 'Gallery' for extra inspiration. However I've notice a trend in some more recently published books to opt for a wider base of jewellers and their designs, as if the book were a kind of modern jewellery or craft magazine.

It's perhaps no surprise, then, to find that the Stringing and Linking Jewelry Workshop has been put together by the editor of Making Jewellery magazine, and that she has included several different jewellers, including herself, across the 30 projects that the book features. (A little disappointingly the book doesn't included a mini-biography of each of the jewellers, as I always find sections like that informative and fascinating.)

First Impressions

The book I'm reviewing is a large paperback edition, not dissimilar in look from a magazine. The front cover has a white background with different items of jewellery featured on it. The jewellery is all beaded and quite colourful and gives a good indication of the type of pieces you'll find in the projects themselves.

At The Start

The contents pages have a very handy visual guide to the projects, with each one pictured and numbered so anything that catches your eye can be found quickly by referencing the number against the written list and the corresponding page numbers. It's very handy to re-find a project using this, rather than flick through pages until you find what you're after on the last one you look at...

Next comes an introduction with a recommendation or two on how to adapt
designs and on how best to approach the book, which is perhaps more suited to beginners than more advanced beaders.

Two pages on tools and equipment follow, mainly devoted to different types of pliers and cutters and beading tools and sundries. This is followed by four pages about materials, ranging from different types of beads, stringing materials, and findings. All these pages are illustrated with good, clear photographs as are the next six pages covering techniques.


In the Middle

The projects cover the main part of the book and each has four pages devoted to it. The first page has a photo of the finished item and the second has a list of components needed and photos of ideas for adapting the project to make other pieces using similar materials. Instructions for all the pieces of jewellery shown are over the next two pages.

Most of the projects include three matching pieces, normally necklace, earrings and bracelet, and it's a nice touch that allows flexibility in how the reader can use the book. It's also useful in showing the beginner how easy it can be to adapt a design and make something different on a similar theme.


At the End

After the last of the projects the book concludes with a mainly UK-based page of suppliers and an index.


In Summary

As a silversmith primarily I found the book a little limiting in terms of projects.  But I always find some inspiration in every book on making jewellery, whether it's a way of combining materials that I've not thought of before, or a nudge in the direction of using more beads and more colour in my work.

If you're looking to begin beading then this book could be a good place to start. And if you've read the magazine Making Jewellery then that will give you an idea of the kinds of projects included and how they are laid out, and how well the instructions and photographs are done. If you're a more advanced beader then this book will probably work more as a source of inspiration and new ideas.


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If you fancy another jewellery book about beads then check my review out of Learn to Make Bead Jewellery.

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